Posts Tagged ‘ fcpx

Final Cut Pro X update: 10.0.6

The new Final Cut Pro X update, 10.0.6

As if the new iMac, Mac mini and 13-inch MacBook Pro with Retina display, plus the 4th generation iPad and the iPad mini weren’t enough, us FCP X pros got a ‘one more thing’ surprise when Philip Hodgetts tweeted that Apple has finally released the biggest update to Final Cut Pro X since January 31, 2012! Sure, we had some updates before NAB and in June when the 15-inch MBP with Retina display came out, but this is a big one! So what’s new?

Final Cut Pro X multichannel audio editing

 

  • Multichannel audio editing: Apple discussed this prior to NAB with Philip and Larry Jordan, and now it’s here! This is incredible: quickly expand or hide the audio control options right in the timeline, to help edit and mix your sound.
  • Dual viewers: We’ve been asking for it, and it’s here, the ability to pull up a second monitor whenever you wish, so you can see your raw footage, and still view your edits. Just like in FCP 1-7, the Viewer and Canvas, though I don’t believe they’re called that.
  • Unified import: This is awesome, because in today’s world, we’re shooting on different formats, like RED, Sony, Panasonic, DSLR, GoPro and more, plus from other drives and the network, all in one window.
  • Tons of RED support: Apple doesn’t just give us more RED support, they give us direct import and edit of native .r3d, convert it up to ProRes 4444 or down to ProRes Proxy, the ability to work with the new RED Meizler Module and ProRes, REDCODE RAW, RED ROCKET for faster renders, trancodes and encodes and more.
  • Extremely awesome (and streamlined) share options: This is just incredible, because while I do like the share options, this makes it easy and still powerful and customizable, to share your video projects just about anywhere!
  • MXF support: Works with third-party apps to allow you to edit native MXF.
  • The return of copy and paste attributes (!!): One of my favorite features in the previous versions of FCP, I loved to copy and paste specific attributes, like filters, settings, etc., then paste to specific clips.
  • And more!

The new share window in Final Cut Pro X really is streamlined

I highly recommend checking out Apple’s page on the major new updates, and also the full specs. FCP X 10.0.6, Motion 5.0.5 (open multiple projects and switch, copy and paste easily, better anti-aliasing, faster load times) and Compressor 4.0.4 (enhanced share for MBP with Retina display, stability improvements) are free updates for existing users. You can still try FCP X for free for 30 days by clicking here. Be sure to read Philip’s review here.

Final Cut Pro X: Fast And The Best Multitasking Video Editor

I’m working on two distinct projects right now in Final Cut Pro X, including importing 90 minutes of a speech for a corporate client, allowing FCP X to analize the 1080p30 Sony EX1 footage, rendering the timecode generator I dropped over the primary storyline and export as a 640 x 480 QuickTime for my client. I needed to do some additional work on another project, a short film I produced and directed called Hellevator, written by comic book legend David Michelinie (Iron Man, Superman, Spider-Man). My long-time friend and colleague Jeremiah Hall is taking care of the visual effects and uploading 720p24 clips (the animation QuickTime codec) to DropBox for me to grab.

Editing Hellevator in Final Cut Pro X

So with the first project handling analysis, render  and 480p export, Final Cut Pro X (10.0.4) easily opened Hellevator up, and I was able to quickly replace green screen shots with finished ones. There was no lag, no spinning beach ball of doom, none of that. FCP X handled all the tasks without a problem, and didn’t skip a beat. Plus, broadcast monitoring is still working well with the new Matrox drivers and my MXO2 mini!

Oh, and did I mention that I’m currently cutting on a mid-2011 base model Mac mini with an Intel Core i5 processor (dual-core) running at 2.3 GHz, with an Intel HD Graphics 3000 and 8GB of RAM, along with a FireWire 800 external hard drive, and a Mercury Elite-AL Elite Pro Dual mini RAID from Other World Computing? Now, imagine if I were on a quad-core Intel Core i7 iMac or MacBook Pro? Final Cut Pro X is a true multitasking workhorse. As a long-time Final Cut Pro editor, since 1999, I’ve waited a long time to be able to do this. Also, be sure to check out Final Cut Pro X in Action, which showcases the team behind TNT’s hit show Leverage.

My Review Of The Matrox Thunderbolt Adapter

Matrox has some pretty cool all-in-one devices with their MXO2 line, which can handle video capture, conversion, broadcast monitoring and much more. I’ve had an MXO2 Mini for a couple of years, and used it regularly to capture BetaSP footage in Final Cut Pro 7, with a 17-inch MacBook Pro with an ExpressCard/34 slot. That Mac went away, and since I didn’t have a Mac Pro (with PCI-Express), I couldn’t use the MXO2 anymore. Until Thunderbolt changed everything, the new Apple and Intel technology that allows for blazing fast 10 Gbps (Gigabits per second) transfer speeds. With the Matrox Thunderbolt adapter, I can now use my Mac Mini with the MXO2 Mini and capture analog footage, and a whole lot more.

Plus, all of Matrox’s new MXO2 devices feature software that’s optimized for the technology, plus takes advantage of Final Cut Pro X‘s broadcast monitoring (see this press release). Be sure to check out my review at Digital Media Net.