Archive for the ‘ Final Cut Pro X ’ Category

Free Pan And Zoom Plug-In For Final Cut Pro X From FxFactory

Even though Final Cut Pro X has the Ken Burns Effect, take your pan-and-zoom effects to a new level with this free Pan and Zoom plug-in from FxFactory. No need for keyframing, no need for a degree in computer animation, but you end up with beautiful and professional results. You’ll need FxFactory 3.0.3, which is free, and then you simply download, install and register the free plug-in. Get the details on this free Pan and Zoom plug-in at Noise Industries’ FxFactory page. The plug-in works with FCP 6 and 7, Motion 5 and After Effects. They also have a video tutorial available:

Want more plug-ins for FCP X? Check out my massive — and growing — list!

My Short Film Hellevator Is Almost Done

Hellevator, starring Greg Nappo, is a short film written by comic book legend David Michelinie (Iron Man, Amazing Spider-Man, Superman), and directed by me, that we shot on the Panasonic HPX500 a little while back. It was shot completely against a green screen, and required all sorts of visual effects to bring to life. My long-time film collaborator Jeremiah Hall took care of all the VFX, using Adobe After Effects CS5.5, Photoshop CS5.1, Boris Continuum Complete 7, and Twixtor 5. Just a few days ago, he delivered the last clip, which I dropped into the cut, and now we’re moving onto sound FX and mixing, with the help of my long-time film partner Grant Balfour, who also composed the score.

In addition to the film being shot in 720p24 on the HPX500, we shot the background plates with a Nikon D200, Canon 60D and even an iPhone 4S, plus recorded voiceovers on a Sony HVR-V1u. I did the first cut, all green screen clips in Final Cut Pro legacy, but when Jeremiah first started delivering FX shots, I turned to Final Cut Pro X, and started from scratch — I didn’t use the excellent 7toX to bring in the old cut, I started fresh in FCP X. I had about 40% of the FX, so I used the green screen clips to create a new cut, and then I’d swap out finished clips as I received them. I’ll be using FCP X to mix the audio, and have laid the music onto my timeline.

Editing Hellevator in Final Cut Pro X

I’ll have a more in-depth article or set of articles on how we brought Hellevator to life once the film is done, along with clips or the entire finished movie. For now, check out our official Hellevator page.

Final Cut Pro X Workshop Tonight April 26, 2012 In Boca Raton, Florida

I know this is a little last minute, but my film society is presenting a Final Cut Pro X introductory workshop in Boca Raton, Florida, tonight, April 26, 2012 from 6 to 9 PM at America’s Production Company. FCP X certified instructor Jeff Fortune is the presenter, and Palm Beach County Filmmakers has teamed up with us. Get all the information plus directions at Palm Beach Film Society’s site.

Editoid Allows Final Cut Pro X Users To Automate Part Of Their Editing

This is really interesting… Editoid from iMageneering/Imagenharia in Brazil created an app that can help automate your editing in Final Cut Pro X, especially with reptitive editing like similar projects. It uses keywords to create templates, which will switch out footage for a new project via FCP X’s XML. Here is how it works:

1. At Final Cut Pro X’s project library, select a project and export its XML, saving it inside Editoid’s templates folder. Editiod watches that folder and automatically creates In and Out folders for each template.

2. Select a Final Cut Pro X Event and export its XML, saving it inside the In folder for the template to be used. Editoid watches all templates In folders and automatically creates a new Project XML for each Event XML in the folders.

3. Now, simply double-click the generated Project XML in the template’s Out folder and Final Cut Pro X will open it and show the generated edit.

Check out the Editoid quickstart guide; there’s a 30-day trial, and the cost is $149. Find out more at iMageneering’s site.

Hat tip: FCP.co and Ben Balser

Radical Media CTO Evan Schectman Talks The State Of The NLE

This is a must-see as @radical.media’s CTO Evan Schectman goes to Tekserve to discuss the current state of the NLE. @radical.media in New York City recently went all-in with Final Cut Pro X, Evan knows his stuff.

You should also check out his first look at FCP X from last summer. (Hat tip: Ray Sigmond)

NAB 2012 Coverage, Including Blackmagic’s Cinema Camera

I wasn’t at NAB, but the company I work for, Doddle, was. Here’s all the coverage from NAB 2012, including the surprise announcment of the Blackmagic Cinema Camera. That one is a bit of a gamechanger, at least for Blackmagic Design, known mostly for their terrific capture/output/monitoring devices and DaVinci Resolve/Lite color correction software. Back to Final Cut Pro X posting shortly.

Final Cut Pro X: Fast And The Best Multitasking Video Editor

I’m working on two distinct projects right now in Final Cut Pro X, including importing 90 minutes of a speech for a corporate client, allowing FCP X to analize the 1080p30 Sony EX1 footage, rendering the timecode generator I dropped over the primary storyline and export as a 640 x 480 QuickTime for my client. I needed to do some additional work on another project, a short film I produced and directed called Hellevator, written by comic book legend David Michelinie (Iron Man, Superman, Spider-Man). My long-time friend and colleague Jeremiah Hall is taking care of the visual effects and uploading 720p24 clips (the animation QuickTime codec) to DropBox for me to grab.

Editing Hellevator in Final Cut Pro X

So with the first project handling analysis, render  and 480p export, Final Cut Pro X (10.0.4) easily opened Hellevator up, and I was able to quickly replace green screen shots with finished ones. There was no lag, no spinning beach ball of doom, none of that. FCP X handled all the tasks without a problem, and didn’t skip a beat. Plus, broadcast monitoring is still working well with the new Matrox drivers and my MXO2 mini!

Oh, and did I mention that I’m currently cutting on a mid-2011 base model Mac mini with an Intel Core i5 processor (dual-core) running at 2.3 GHz, with an Intel HD Graphics 3000 and 8GB of RAM, along with a FireWire 800 external hard drive, and a Mercury Elite-AL Elite Pro Dual mini RAID from Other World Computing? Now, imagine if I were on a quad-core Intel Core i7 iMac or MacBook Pro? Final Cut Pro X is a true multitasking workhorse. As a long-time Final Cut Pro editor, since 1999, I’ve waited a long time to be able to do this. Also, be sure to check out Final Cut Pro X in Action, which showcases the team behind TNT’s hit show Leverage.

Final Cut Pro X Used To Cut TNT’s Leverage, @radical.media Goes All-In With FCP X

Apple released a “Final Cut Pro X In Action” page to showcase TV shows, movies, post-production houses and editors using FCP X for their projects. These include Dean Devlin and his team of editors using FCP X to cut the hit TNT show ‘Leverage,’ which is shot on the RED EPIC, leading New York City-based post-production company @radical.media has gone all FCP X and Apple spotlights editor Knut Hake, who edits hit Germany TV show ‘Danni Lowinski’ with FCP X. It also shoots on RED cameras. Read the profiles on Apple’s FCP X In Action page.

Final Cut Pro X 10.0.4 Improves Broadcast Monitoring, New I/O Drivers From Matrox Are Incredible

With the release of the newest Final Cut Pro X update to ver. 10.0.4, Apple has improved broadcast monitoring, working with manufacturers to get it right. I was able to take the latest I/O drivers from Matrox for a drive, and I gotta say, they’re incredible! I’m a big fan of Matrox’s hardware, and I’ve been waiting patiently for Apple to update FCP X and improve broadcast monitoring, and with it, Matrox is releasing these drivers.

Using an MXO2, video and sound look great on my external monitor — I’m using an LCD at 1920 x 1080. I’m going to work with a colleague who has a full-fleged HD production monitor to do some more tests, but so far, so good. I’ll have a more extensive look soon.

Apple Releases Final Cut Pro X 10.0.4, Motion And Compressor Updates

Apple has released the latest update to the revolutionary Final Cut Pro X, 10.0.4. It looks like a smaller update compared to 10.0.3, but still a good one that you should download via the Mac App Store. The update includes, according to Apple:

  • Improves image quality and responsiveness of broadcast monitoring with compatible third-party PCIe and Thunderbolt I/O devices.
  • Improves performance of multicam syncing and editing.
  • Adds language support for Simplified Chinese.
  • Adds a Share option for 1080p video on compatible iOS devices.

Assigns default audio channel setting for new projects to stereo.

  • Includes multicam metadata in XML project export.
  • Fixes an issue in which video superimposed over a background with an alpha channel could appear differently in Viewer before and after render.
  • Fixes an issue that caused some titles to be rendered again after each application launch.
What does 10.0.4 mean for users of the brilliant 7toX app from Intelligent Assistance? Co-creator (and genius) Philip Hodgetts said this on Facebook: “10.0.4 means that Xto7 now supports flattened multicam going from FCP X to FCP 7. It’s in the current App store version!” Sweet!!
Motion 5 has an update as well, to 5.0.3:
  • Improves loading time for projects.
  • Improves performance of text editing in Canvas.
  • Fixes issues with Fill Opaque enabled in images converted to Drop Zones.
  • Resolves a stability issue that could occur when deleting all characters with the Transform Glyph tool.
  • Corrects the pixel aspect ratio display of Anamorphic clips.
And, of course, Compressor is updated to version 4.0.3:
  • Ability to run Compressor as an encoding node on a Mac without a monitor.
  • Fixes an issue with exporting when logged in as an Open Directory user.
  • Improves performance when encoding mp4 and AVI files. (OH YEAH!)

As usual, backup all your events and projects before updating to FCP X 10.0.4.