Final Cut Pro X update: 10.0.6
As if the new iMac, Mac mini and 13-inch MacBook Pro with Retina display, plus the 4th generation iPad and the iPad mini weren’t enough, us FCP X pros got a ‘one more thing’ surprise when Philip...
Read Moreby Heath McKnight | Oct 23, 2012 | App Store, Apple, DSLR, Film, Final Cut Pro, Final Cut Pro X, MacBook Pro With Retina Display, Motion 5, OS X Mountain Lion, RED, RED EPIC-X, RED ONE, Video Editing | 0 |
As if the new iMac, Mac mini and 13-inch MacBook Pro with Retina display, plus the 4th generation iPad and the iPad mini weren’t enough, us FCP X pros got a ‘one more thing’ surprise when Philip...
Read Moreby Heath McKnight | Jun 11, 2012 | App Store, Apple, Final Cut Pro, Final Cut Pro X, iOS, MacBook Pro With Retina Display, OS X Lion, OS X Mountain Lion, RED, RED EPIC-X, RED ONE, Thunderbolt, Video Editing | 0 |
Today at the 2012 Apple Worldwide Developers Conference, Apple did some major updates to its line of hardware, updating the MacBook Air (and dropping the price), the standard MacBook Pro line, and introducing a brand new,...
Read Moreby Heath McKnight | Apr 21, 2012 | Apple, Camera, Film, Final Cut Pro X, Matrox, RED, RED EPIC-X, RED ONE, Television, Thunderbolt, Video Editing | 0 |
I wasn’t at NAB, but the company I work for, Doddle, was. Here’s all the coverage from NAB 2012, including the surprise announcment of the Blackmagic Cinema Camera. That one is a bit of a gamechanger, at least for...
Read Moreby Heath McKnight | Apr 11, 2012 | 4K Camera, 4K Cinema, Apple, Camera, Compressor, Film, Final Cut Pro, Final Cut Pro X, Motion 5, RED, RED EPIC-X, RED ONE, Television, Thunderbolt, Video Editing | 0 |
Apple released a “Final Cut Pro X In Action” page to showcase TV shows, movies, post-production houses and editors using FCP X for their projects. These include Dean Devlin and his team of editors using FCP X to cut...
Read Moreby Heath McKnight | Mar 14, 2012 | 4K Camera, 4K Cinema, Adobe, Film, RED, RED EPIC-X, RED ONE, Television, Video Editing | 0 |
I had a chance recently to meet with Jeremy Wiles of Creative Lab in West Palm Beach, Florida, to check out his RED EPIC-X, learn his production and post-production workflow (he uses the latest version of Premiere Pro for...
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