Posts Tagged ‘ FCP

Apple Details Final Cut Pro X 10.0.5 Update And MacBook Pro With Retina Display

Apple updated their Final Cut Pro X page, and under the “What’s New” section, they offer some details on the 10.0.5 update, and how it works with their new MacBook Pro with Retina display. In addition to beautiful, 2880 x 1800, 5.1-million pixel screen, you’ll be able to edit and view in full-resolution 1080p video in the viewer, without having to open it for full screen playback. You can view it while in your normal FCP X workspace.

Thanks to the standard flash drive, fast RAM (up to 16GB), and faster Intel Core i7 processors, up to 2.7 GHz, this baby is lightning quick, so it can handle multistream and multicam smoother and faster than on other systems. According to Apple, the throughput is up to 500 MBps, so you can edit up to 9 streams of ProRes video at 1080p resolution, or four streams of 8-bit uncompressed 1080p video. Wow! This system is a BEAST! The rest of the details go back to the 10.0.3 update in late January 2012.

I personally can’t wait to get my hands on the new MacBook Pro with Retina display, with 16GB of RAM, and put it through its paces with FCP X 10.0.5, along with Motion 5.0.4 and Compressor 4.0.4. Check out all the “What’s New” details on Apple’s FCP X page.

Final Cut Pro X: Fast And The Best Multitasking Video Editor

I’m working on two distinct projects right now in Final Cut Pro X, including importing 90 minutes of a speech for a corporate client, allowing FCP X to analize the 1080p30 Sony EX1 footage, rendering the timecode generator I dropped over the primary storyline and export as a 640 x 480 QuickTime for my client. I needed to do some additional work on another project, a short film I produced and directed called Hellevator, written by comic book legend David Michelinie (Iron Man, Superman, Spider-Man). My long-time friend and colleague Jeremiah Hall is taking care of the visual effects and uploading 720p24 clips (the animation QuickTime codec) to DropBox for me to grab.

Editing Hellevator in Final Cut Pro X

So with the first project handling analysis, render  and 480p export, Final Cut Pro X (10.0.4) easily opened Hellevator up, and I was able to quickly replace green screen shots with finished ones. There was no lag, no spinning beach ball of doom, none of that. FCP X handled all the tasks without a problem, and didn’t skip a beat. Plus, broadcast monitoring is still working well with the new Matrox drivers and my MXO2 mini!

Oh, and did I mention that I’m currently cutting on a mid-2011 base model Mac mini with an Intel Core i5 processor (dual-core) running at 2.3 GHz, with an Intel HD Graphics 3000 and 8GB of RAM, along with a FireWire 800 external hard drive, and a Mercury Elite-AL Elite Pro Dual mini RAID from Other World Computing? Now, imagine if I were on a quad-core Intel Core i7 iMac or MacBook Pro? Final Cut Pro X is a true multitasking workhorse. As a long-time Final Cut Pro editor, since 1999, I’ve waited a long time to be able to do this. Also, be sure to check out Final Cut Pro X in Action, which showcases the team behind TNT’s hit show Leverage.

Final Cut Pro X Used To Cut TNT’s Leverage, @radical.media Goes All-In With FCP X

Apple released a “Final Cut Pro X In Action” page to showcase TV shows, movies, post-production houses and editors using FCP X for their projects. These include Dean Devlin and his team of editors using FCP X to cut the hit TNT show ‘Leverage,’ which is shot on the RED EPIC, leading New York City-based post-production company @radical.media has gone all FCP X and Apple spotlights editor Knut Hake, who edits hit Germany TV show ‘Danni Lowinski’ with FCP X. It also shoots on RED cameras. Read the profiles on Apple’s FCP X In Action page.